| Theatre Arts and Performance Studies |
Brown University |
| Course Name |
Course Code |
Credit Level |
Classification |
| Trust Yourself: The Practice of Artistic Impulse |
TAPS 0001A |
|
Undergraduate |
| Introduction to Acting and Directing |
TAPS 0030 |
|
Undergraduate |
| Asian American Theatre and Performance in Transnational Contexts |
TAPS 0080 |
|
Undergraduate |
| Feminist Aesthetics and Performance Philosophy |
TAPS 0080A |
|
Undergraduate |
| Uncomfortable Media (MCM 0901H) |
TAPS 0085 |
|
Undergraduate |
| Playwriting I |
TAPS 0100 |
|
Undergraduate |
| Playwriting I |
TAPS 0101 |
|
Undergraduate |
| Screenwriting I (LITR 0110E) |
TAPS 0110E |
|
Undergraduate |
| Screenwriting I (LITR 0110E) |
TAPS 0150 |
|
Undergraduate |
| Playwriting II |
TAPS 0200 |
|
Undergraduate |
| Dancing the African Diaspora |
TAPS 0210 |
|
Undergraduate |
| Persuasive Communication |
TAPS 0220 |
|
Undergraduate |
| Acting |
TAPS 0230 |
|
Undergraduate |
| Africana Feminisms |
TAPS 0240 |
|
Undergraduate |
| Introduction to Technical Theatre and Production |
TAPS 0250 |
|
Undergraduate |
| Stage Lighting |
TAPS 0260 |
|
Undergraduate |
| Beginning Modern Dance |
TAPS 0310 |
|
Undergraduate |
| Shakespeare: The Screenplays (ENGL 0310E) |
TAPS 0310E |
|
Undergraduate |
| Dance Composition |
TAPS 0320 |
|
Undergraduate |
| Mande Dance, Music and Culture |
TAPS 0330 |
|
Undergraduate |
| Black Performance Theory |
TAPS 0350 |
|
Undergraduate |
| Viewpoints Technique: The Moving Body in Relation to Time, Space, and Ensemble |
TAPS 0360 |
|
Undergraduate |
| Introduction to Shakespeare (ENGL 0310A) |
TAPS 0510 |
|
Undergraduate |
| Weird and Wild Writing for the Dramatic Stage |
TAPS 0550 |
|
Undergraduate |
| Introduction to Theatre, Dance and Performance |
TAPS 0700 |
|
Undergraduate |
| Asian/American Performance and Aesthetics |
TAPS 0800D |
|
Undergraduate |
| Performance and Law: Staging Sovereignty in the Courtroom and the Theater |
TAPS 0800E |
|
Undergraduate |
| Performance and the Crisis of Scientific Reality |
TAPS 0800F |
|
Undergraduate |
| The Body Issue: An Introduction |
TAPS 0800G |
|
Undergraduate |
| Performance and Technology: The Art and Science of the Artificial |
TAPS 0800H |
|
Undergraduate |
| (Re)Imagining the Body: What can a Body do? |
TAPS 0800I |
|
Undergraduate |
| Of Emotions Unbound: Feeling Middle Eastern Theatre and Performance |
TAPS 0800J |
|
Undergraduate |
| Islam between Theatre and Performance |
TAPS 0800K |
|
Undergraduate |
| Devised Theatre |
TAPS 0800L |
|
Undergraduate |
| Beyond The Rainbow: Black Otherwises in the Work of Ntozake Shange |
TAPS 0800M |
|
Undergraduate |
| Semiotics of the Broadway Musical |
TAPS 0800N |
|
Undergraduate |
| Uneasy Embodiments: Racial and Gendered Objecthood |
TAPS 0800P |
|
Undergraduate |
| On the Flesh: Queer and Trans Embodiments |
TAPS 0800Q |
|
Undergraduate |
| Performing Italy - Body, Voice and Politics: A Journey within Italian Theatre |
TAPS 0810 |
|
Undergraduate |
| Campus Activism: Disability Justice and Unwaged Labor Movements |
TAPS 0811 |
|
Undergraduate |
| Body/Gesture/Cinema (MCM 0901N) |
TAPS 0901N |
|
Undergraduate |
| Governing Sex: Citizenship, Violence, Media (MCM 0901Q) |
TAPS 0901Q |
|
Undergraduate |
| Mediating Reproduction: Feminism, Art, Activism (MCM 0901S) |
TAPS 0901S |
|
Undergraduate |
| The Dancer and The Muse (MCM 0903J) |
TAPS 0903X |
|
Undergraduate |
| The Actor's Instrument: Voice and Speech |
TAPS 0930A |
|
Undergraduate |
| The Actor's Instrument: Improvisation |
TAPS 0930B |
|
Undergraduate |
| The Actor's Instrument: Stage Movement for Actors and Directors |
TAPS 0930C |
|
Undergraduate |
| The Actor's Instrument: Clown |
TAPS 0930E |
|
Undergraduate |
| Explorations in Clown and Physical Play |
TAPS 0930F |
|
Undergraduate |
| Site-Specific Performance |
TAPS 0950 |
|
Undergraduate |
| Digital Art (MCM0750) |
TAPS 0971 |
|
Undergraduate |
| Black Lavender: Black Gay/Lesbian Plays/Dramatic Constructions in the American Theatre (AFRI 0990) |
TAPS 0980 |
|
Undergraduate |
| Intermediate Dance |
TAPS 1000 |
|
Undergraduate and Graduate |
| Playing the Villain on Camera (ARTS 1006) |
TAPS 1006A |
|
Undergraduate and Graduate |
| Performance Practice Workshop (ARTS 1007) |
TAPS 1007A |
|
Undergraduate and Graduate |
| Performing Brazil: Language, Theater, Culture (POBS 1080) |
TAPS 1010 |
|
Undergraduate and Graduate |
| Acting for the Camera (ARTS 1011) |
TAPS 1011A |
|
Undergraduate and Graduate |
| Body as Medium: Queer Lineages of Duration, Resonance, and Excess (ARTS 1012) |
TAPS 1012A |
|
Undergraduate and Graduate |
| The REAL: A Research to Performance Project (AFRI 1050E) |
TAPS 1050E |
|
Undergraduate and Graduate |
| Performing Brazil: Language, Theater, Culture (POBS 1080) |
TAPS 1080 |
|
Undergraduate and Graduate |
| Stage Management |
TAPS 1100 |
|
Undergraduate and Graduate |
| Voices Beneath the Veil (AFRI 1110) |
TAPS 1110 |
|
Undergraduate and Graduate |
| Russian/Soviet Performing Arts: Dance, Opera & Theater (RUSS 1150) |
TAPS 1150A |
|
Undergraduate and Graduate |
| Style and Performance |
TAPS 1160 |
|
Undergraduate and Graduate |
| Physical Play: Embodied Action & The Art of Making Something New |
TAPS 1160A |
|
Undergraduate and Graduate |
| Acting Methods for Period Texts |
TAPS 1170 |
|
Undergraduate and Graduate |
| Dance and Architecture (HIAA 1175) |
TAPS 1175H |
|
Undergraduate and Graduate |
| Solo Performance |
TAPS 1210 |
|
Undergraduate and Graduate |
| Global Theatre and Performance: Paleolithic to the Threshold of Modernity |
TAPS 1230 |
|
Undergraduate and Graduate |
| Performance Historiography and Theatre History |
TAPS 1240 |
|
Undergraduate and Graduate |
| Late Modern and Contemporary Theatre and Performance |
TAPS 1250 |
|
Undergraduate and Graduate |
| Making the 21st Century Musical |
TAPS 1251A |
|
Undergraduate and Graduate |
| Scenic Properties and the Props Artisan |
TAPS 1251C |
|
Undergraduate and Graduate |
| Unmasking the Technologies of White Supremacy |
TAPS 1251D |
|
Undergraduate and Graduate |
| Embodiment, Materiality and Cultural Production |
TAPS 1251E |
|
Undergraduate and Graduate |
| Theatre Practicum |
TAPS 1251P |
|
Undergraduate and Graduate |
| Food as/in Performance |
TAPS 1260 |
|
Undergraduate and Graduate |
| Masking, Trancing, Performing, and Spectating in Non-Western and Circumpacific Performance |
TAPS 1270 |
|
Undergraduate and Graduate |
| The Creative Ensemble: Poetry in/to Performance |
TAPS 1280B |
|
Undergraduate and Graduate |
| Stage Lighting II |
TAPS 1280C |
|
Undergraduate and Graduate |
| Perception/The Performativity of Neurology |
TAPS 1280D |
|
Undergraduate and Graduate |
| Neurodiversity and Performance |
TAPS 1280E |
|
Undergraduate and Graduate |
| Introduction to Set Design |
TAPS 1280F |
|
Undergraduate and Graduate |
| Introduction to Theatrical Design |
TAPS 1280G |
|
Undergraduate and Graduate |
| Mindfulness and Movement: Interoceptive Expressive Arts |
TAPS 1280K |
|
Undergraduate and Graduate |
| Modern American Drama |
TAPS 1280L |
|
Undergraduate and Graduate |
| A Producer Prepares: Curation, Ethics, and the Entrepreneurial Practice of Arts Programming |
TAPS 1280M |
|
Undergraduate and Graduate |
| New Theories for a Baroque Stage |
TAPS 1280N |
|
Undergraduate and Graduate |
| Hybrid Art (VISA 1800L) |
TAPS 1280Q |
|
Undergraduate and Graduate |
| Libretto Workshop for Musical Theatre |
TAPS 1280S |
|
Undergraduate and Graduate |
| Voice Over for the Actor |
TAPS 1280U |
|
Undergraduate and Graduate |
| Theatre and Conquest in the Americas, from Cortes to NAFTA |
TAPS 1280V |
|
Undergraduate and Graduate |
| Native American Indigenous Theatre Performance |
TAPS 1280W |
|
Undergraduate and Graduate |
| Compossible Worldbuilding |
TAPS 1280X |
|
Undergraduate and Graduate |
| Issues in Performance Studies |
TAPS 1280Y |
|
Undergraduate and Graduate |
| A Producer Prepares: Advanced Topics in Curation, Ethics, and Arts Programming |
TAPS 1280Z |
|
Undergraduate and Graduate |
| Director/Designer Collaborative Studio |
TAPS 1281A |
|
Undergraduate and Graduate |
| Memory Plays: Theatricality and Time |
TAPS 1281C |
|
Undergraduate and Graduate |
| Place-Based Dance and Performance |
TAPS 1281D |
|
Undergraduate and Graduate |
| Directing Theory and Practice |
TAPS 1281E |
|
Undergraduate and Graduate |
| Choreography ONE: Dancemaking Pre-Classic to Post-Modern |
TAPS 1281F |
|
Undergraduate and Graduate |
| Queer Dance |
TAPS 1281G |
|
Undergraduate and Graduate |
| Collaborations in Performance: Theory and Practice Moving Together |
TAPS 1281H |
|
Undergraduate and Graduate |
| Introduction to Costume Construction |
TAPS 1281M |
|
Undergraduate and Graduate |
| Acting Outside the Box: Race, Class, Gender and Sexuality in Performance |
TAPS 1281O |
|
Undergraduate and Graduate |
| Introduction to Critical Dance Studies |
TAPS 1281Q |
|
Undergraduate and Graduate |
| The Precarious University (HMAN 1970E) |
TAPS 1281S |
|
Undergraduate and Graduate |
| Native Americans in the Media: Representation and Self-Representation on Film (ETHN 1890G) |
TAPS 1281T |
|
Undergraduate and Graduate |
| Arts and Health: Theory |
TAPS 1281W |
|
Undergraduate and Graduate |
| Costume Design |
TAPS 1281X |
|
Undergraduate and Graduate |
| Art and Activism |
TAPS 1281Y |
|
Undergraduate and Graduate |
| Arts and Health: Practice |
TAPS 1281Z |
|
Undergraduate and Graduate |
| Film Acting I |
TAPS 1285 |
|
Undergraduate and Graduate |
| Film Acting II |
TAPS 1286 |
|
Undergraduate and Graduate |
| Advanced Costume Design |
TAPS 1290 |
|
Undergraduate and Graduate |
| Advanced Set Design |
TAPS 1300 |
|
Undergraduate and Graduate |
| Advanced Modern Dance |
TAPS 1310 |
|
Undergraduate and Graduate |
| Dancers' Choice: Improvisational Frameworks for Intermediate and Advanced Movers |
TAPS 1311 |
|
Undergraduate and Graduate |
| Contemporary Dance Forms - Intermediate/Advanced Studio |
TAPS 1312 |
|
Undergraduate and Graduate |
| Digital Design for the Theatre |
TAPS 1315 |
|
Undergraduate and Graduate |
| Choreography |
TAPS 1320 |
|
Undergraduate and Graduate |
| Experiments in Dance, Movement, and Performance |
TAPS 1325 |
|
Undergraduate and Graduate |
| Dance History: The 20th Century |
TAPS 1330 |
|
Undergraduate and Graduate |
| Way Too Much And Not Nearly Enough: Making Performance in The Post-Post-Dramatic |
TAPS 1330A |
|
Undergraduate and Graduate |
| Contemporary Partnering |
TAPS 1334 |
|
Undergraduate and Graduate |
| Movement Theory: Choreography, Modernity, Subjectivity |
TAPS 1335 |
|
Undergraduate and Graduate |
| Introduction to FlexN Dance & Movement |
TAPS 1337 |
|
Undergraduate and Graduate |
| Advanced FlexN |
TAPS 1338 |
|
Undergraduate and Graduate |
| Embodied Anatomy |
TAPS 1339 |
|
Undergraduate and Graduate |
| Dance Styles |
TAPS 1340 |
|
Undergraduate and Graduate |
| Native American Theatre: from Traditional Storytelling to the Modern Theater Movement |
TAPS 1340A |
|
Undergraduate and Graduate |
| Introduction to Ballet |
TAPS 1341 |
|
Undergraduate and Graduate |
| Ballet II |
TAPS 1342 |
|
Undergraduate and Graduate |
| Ballet III (Intermediate/Advanced Ballet) |
TAPS 1343 |
|
Undergraduate and Graduate |
| Advanced Ballet with Repertory |
TAPS 1344 |
|
Undergraduate and Graduate |
| Dance and the Visual Arts after 1960: Performing the Everyday, Choreographing the Museum |
TAPS 1345 |
|
Undergraduate and Graduate |
| The Viewpoints Technique: The Moving Body in Relation to Time, Space, and Ensemble |
TAPS 1347 |
|
Undergraduate and Graduate |
| Contemporary Dance Studio Project 1 |
TAPS 1348 |
|
Undergraduate and Graduate |
| Contemporary Dance Studio Project 2 |
TAPS 1349 |
|
Undergraduate and Graduate |
| Dance Performance and Repertory |
TAPS 1350 |
|
Undergraduate and Graduate |
| Indian Classical Performance: Natyasastra Theory and Practice |
TAPS 1355 |
|
Undergraduate and Graduate |
| Dance Performance and Repertory |
TAPS 1360 |
|
Undergraduate and Graduate |
| New Works/World Traditions |
TAPS 1370 |
|
Undergraduate and Graduate |
| Mise en Scene |
TAPS 1380 |
|
Undergraduate and Graduate |
| Contemporary Mande Performance |
TAPS 1390 |
|
Undergraduate and Graduate |
| Advanced Performance |
TAPS 1400 |
|
Undergraduate and Graduate |
| Shakespeare and Philosophy (COLT 1410M) |
TAPS 1410M |
|
Undergraduate and Graduate |
| 13 Positions |
TAPS 1415 |
|
Undergraduate and Graduate |
| Queer Performance |
TAPS 1425 |
|
Undergraduate and Graduate |
| Russian Theatre and Drama |
TAPS 1430 |
|
Undergraduate and Graduate |
| The Archival of Gestures (MES 1450) |
TAPS 1450M |
|
Undergraduate and Graduate |
| Sweating Infrastructure: Cultures of Support in Dance and Live Performance |
TAPS 1480 |
|
Undergraduate and Graduate |
| The Activist Body |
TAPS 1485 |
|
Undergraduate and Graduate |
| Advanced Playwriting: Invitation to the Devout Life |
TAPS 1500A |
|
Undergraduate and Graduate |
| Advanced Playwriting |
TAPS 1500H |
|
Undergraduate and Graduate |
| Screenwriting |
TAPS 1500I |
|
Undergraduate and Graduate |
| Script Adaptation |
TAPS 1500J |
|
Undergraduate and Graduate |
| Acting Together on the World Stage: Writing and Political Performance |
TAPS 1500L |
|
Undergraduate and Graduate |
| Advanced Playwrighting: Guhahamuka |
TAPS 1500M |
|
Undergraduate and Graduate |
| Advanced Undergraduate Playwriting: Experiments in Time |
TAPS 1500N |
|
Undergraduate and Graduate |
| Asian American Theater Making |
TAPS 1500P |
|
Undergraduate and Graduate |
| Auditioning for the Camera |
TAPS 1500R |
|
Undergraduate and Graduate |
| Performance and Media After Reality |
TAPS 1500S |
|
Undergraduate and Graduate |
| Liberatory Strategies for Whole Artist Collaboration |
TAPS 1500T |
|
Undergraduate and Graduate |
| Inventing Directing |
TAPS 1510 |
|
Undergraduate and Graduate |
| Directing Workshop |
TAPS 1511 |
|
Undergraduate and Graduate |
| Directing Theory |
TAPS 1512 |
|
Undergraduate and Graduate |
| Solo Performance |
TAPS 1513 |
|
Undergraduate and Graduate |
| Seminar in Theatre Arts |
TAPS 1520 |
|
Undergraduate and Graduate |
| Bold Bodies: Race in Feminist & Queer Performance (GNSS 1540) |
TAPS 1540 |
|
Undergraduate and Graduate |
| Dramaturgy |
TAPS 1600 |
|
Undergraduate and Graduate |
| Political Theatre of the Americas |
TAPS 1610 |
|
Undergraduate and Graduate |
| Performativity and the Body: Staging Gender, Staging Race |
TAPS 1630 |
|
Undergraduate and Graduate |
| Theatre and Conquest in Greater Mexico: From Cortes to NAFTA |
TAPS 1640 |
|
Undergraduate and Graduate |
| 21st Century American Drama |
TAPS 1650 |
|
Undergraduate and Graduate |
| Latinx Theatre + Performance |
TAPS 1670 |
|
Undergraduate and Graduate |
| Performance, Politics, and Engagement |
TAPS 1680 |
|
Undergraduate and Graduate |
| Performance, Art, and Everyday Life |
TAPS 1690 |
|
Undergraduate and Graduate |
| Voices Beneath the Veil (AFRI 1110) |
TAPS 1700A |
|
Undergraduate and Graduate |
| African American Folk Traditions and Cultural Expression (AFRI 1120) |
TAPS 1700B |
|
Undergraduate and Graduate |
| Advanced RPM Playwriting (AFRI 1050A) |
TAPS 1700C |
|
Undergraduate and Graduate |
| Intermediate RPM Playwriting (AFRI 1050D) |
TAPS 1700D |
|
Undergraduate and Graduate |
| Introduction to Post-Colonial African and African Diasporic Theatre (AFRI 1050H) |
TAPS 1700E |
|
Undergraduate and Graduate |
| Roots of African American Fiction: Oral Narrative through Richard Wright (AFRI 1050M) |
TAPS 1700G |
|
Undergraduate and Graduate |
| Art and Civic Engagement: Creativity/Reality (AFRI 1050P) |
TAPS 1700H |
|
Undergraduate and Graduate |
| RPM Playwriting (AFRI 1050E) |
TAPS 1700I |
|
Undergraduate and Graduate |
| Musical Performance and Theatricality (MUSC 1680) |
TAPS 1700J |
|
Undergraduate and Graduate |
| Site- Specific Writing in Brown's Historical Spaces (AMST 1570) |
TAPS 1700K |
|
Undergraduate and Graduate |
| African American Musical Theatre (MUSC 1905D) |
TAPS 1700L |
|
Undergraduate and Graduate |
| Voices Beneath the Veil (AFRI 1110) |
TAPS 1700V |
|
Undergraduate and Graduate |
| Open Source Culture (MCM 1700N) |
TAPS 1710A |
|
Undergraduate and Graduate |
| Radical Media (MCM 1700P) |
TAPS 1710B |
|
Undergraduate and Graduate |
| Queer Relations: Aesthetics and Sexuality (ENGL 1900R) |
TAPS 1720 |
|
Undergraduate and Graduate |
| Artful Teaching: Intersecting the Arts with Foreign and Second Language Acquisition (POBS 1740) |
TAPS 1740 |
|
Undergraduate and Graduate |
| Choreodaemonics |
TAPS 1751 |
|
Undergraduate and Graduate |
| Reading Sex (ENGL 1900K) |
TAPS 1900K |
|
Undergraduate and Graduate |
| Queer Relations: Aesthetics and Sexuality (ENGL 1900R) |
TAPS 1900R |
|
Undergraduate and Graduate |
| Independent Reading and Research |
TAPS 1970 |
|
Undergraduate and Graduate |
| Theatre Practicum |
TAPS 1970P |
|
Undergraduate and Graduate |
| Digital Media and Virtual Performance (MUSC 1971) |
TAPS 1971 |
|
Undergraduate and Graduate |
| Digital Media and Virtual Performance (MUSC 1971) |
TAPS 1971M |
|
Undergraduate and Graduate |
| Senior Honors Thesis Preparation |
TAPS 1990 |
|
Undergraduate and Graduate |
| Intertextuality, Interconnectivity: A Performative Sonnet Approach (ARTS 2001) |
TAPS 2001A |
|
Graduate |
| Digital Performance (MUSC 2210) |
TAPS 2010M |
|
Graduate |
| Dramaturgy |
TAPS 2050 |
|
Graduate |
| Seminar in Performance Studies and Theatrical Theory |
TAPS 2100 |
|
Graduate |
| Revolution as a Work of Art |
TAPS 2120 |
|
Graduate |
| Abstraction and Resistance |
TAPS 2200A |
|
Graduate |
| Neoliberalism and Performance |
TAPS 2200B |
|
Graduate |
| Historiography |
TAPS 2200E |
|
Graduate |
| Performance, Photography, and the Live Border |
TAPS 2200G |
|
Graduate |
| Wittgenstein, Writing and Performance |
TAPS 2200I |
|
Graduate |
| Digital Performance (MUSC 2210) |
TAPS 2200K |
|
Graduate |
| Liveness: Performance and Neoanimism in Late Capitalism |
TAPS 2200N |
|
Graduate |
| Who Else: mimesis, performance, psyche |
TAPS 2200T |
|
Graduate |
| Embodiment, Materiality, and Cultural Production |
TAPS 2200Z |
|
Graduate |
| Performance in a Virtual World (MUSC 2270B) |
TAPS 2270B |
|
Graduate |
| Pedagogy Seminar |
TAPS 2300 |
|
Graduate |
| Graduate Seminar in Performance Studies: The Vulnerability Artist |
TAPS 2300A |
|
Graduate |
| Professionalization Seminar |
TAPS 2300B |
|
Graduate |
| Graduate Playwriting |
TAPS 2310 |
|
Graduate |
| Concepts of Space and Time in Media Discourses (HMAN 2970C) |
TAPS 2400A |
|
Graduate |
| Exchange Scholar Program |
TAPS 2450 |
|
Graduate |
| Fundamentals of Acting: Modern and Contemporary Realism |
TAPS 2505 |
|
Graduate |
| Acting Technique: Fundamentals of Physical Awareness |
TAPS 2515 |
|
Graduate |
| Directing 1: Fundamentals in Analysis and Action for Brown/Trinity MFA Actors and Directors |
TAPS 2535 |
|
Graduate |
| Dramaturgy |
TAPS 2545 |
|
Graduate |
| Advanced Acting: Modern and Contemporary Realism |
TAPS 2555 |
|
Graduate |
| Acting Technique II: Strength, Expansion and Articulation |
TAPS 2565 |
|
Graduate |
| Theatre History in a Changing Present |
TAPS 2575 |
|
Graduate |
| Directing II: Collaborative Communication |
TAPS 2585 |
|
Graduate |
| Fundamentals of Acting: Shakespeare and Classical Verse |
TAPS 2605 |
|
Graduate |
| Acting Technique III: Poetic Expression |
TAPS 2615 |
|
Graduate |
| Playwriting Dramaturgy Practicum |
TAPS 2625 |
|
Graduate |
| Directing III: The Director's Vision |
TAPS 2635 |
|
Graduate |
| Fall Directing Practicum |
TAPS 2645 |
|
Graduate |
| Advanced Acting: Shakespeare and Classical Verse |
TAPS 2655 |
|
Graduate |
| Acting Technique IV: Creativity and Virtuosity |
TAPS 2665 |
|
Graduate |
| Advanced Playwriting |
TAPS 2675 |
|
Graduate |
| Directing IV: Special Topics |
TAPS 2685 |
|
Graduate |
| Spring Directing Practicum |
TAPS 2695 |
|
Graduate |
| Third Year Practicum: The Actor as Creator |
TAPS 2705 |
|
Graduate |
| Professional Development and Performance |
TAPS 2715 |
|
Graduate |
| Directing V: Advanced Directing - Directing Seminar |
TAPS 2735 |
|
Graduate |
| Third Year Practicum: The Actor as Total Theatre Artist |
TAPS 2755 |
|
Graduate |
| Professional Development and Performance - Spring |
TAPS 2765 |
|
Graduate |
| Directing Seminar |
TAPS 2775 |
|
Graduate |
| Theatricality: Labor, Time, Affect |
TAPS 2890A |
|
Graduate |
| Comprehensive Examination Preparation |
TAPS 2970 |
|
Graduate |
| Thesis Workshop |
TAPS 2975 |
|
Graduate |
| Graduate Level Independent Reading and Research |
TAPS 2980 |
|
Graduate |
| Master's Thesis Research |
TAPS 2981 |
|
Graduate |
| Graduate Level Independent Reading & Research - 0.5 credit |
TAPS 2982 |
|
Graduate |
| Thesis Preparation |
TAPS 2990 |
|
Graduate |
| DegreeView |
|
|
|